I write this - if a dead man can be said to write anything - because Jonah is the only thread left tying me to the world, and I have watched, in whatever strange half-presence remains to the wronged dead, what became of him.
He was never the same. He stopped eating at his father's table. He stood at my grave every evening for a month, sometimes simply staring, sometimes digging his fingers into the loose soil at the edge as though some part of him still believed he could undo it, could reach me in time, could keep the promise he had made by the canal.
No one believed him. That was the cruelest mechanism of it all - not the poison, not the haste, but the disbelief that followed. When Jonah tried to tell people what he'd heard, what he feared, the village had already decided on its story: a grieving boy, unwell with sorrow, inventing conspiracies to explain an ordinary death. Cordelia wept beautifully at the memorial. Victor donated generously to the temple in my name. My uncle Reginald, free of his debt at last, told anyone who would listen how tragic it was, how sudden, how very sad that I had gone before my time.
Nine people, I had told Jonah. Nine people bound by money, by black-market poisons, by silence bought and silence kept. He could never name them all, could never prove a single one. There were no marks on me. There was no evidence - only a boy's grief, which the world has always been very good at mistaking for madness.
He searched, for a while. He went to the eastern quarter asking after the woman who sold the herbs. He found a shuttered door, a neighbor who shrugged, a trail that simply ended, the way these things are arranged to end when enough money moves through enough hands.
Eventually Jonah did the only thing left to a boy with no power and a promise he could not keep: he carried it. He carried it to his own wedding, where Cordelia sat smiling in the front row as though she had buried nothing but a stranger. He carried it into his work, into his own marriage, into the nights he could not sleep for hearing, in his memory, the sound of a shovel striking wood.
I do not haunt them. I want you to know that, because it would be a comfort to imagine some return, some reckoning delivered by my own hand. But the dead do not get to deliver reckonings. We only get to watch, weightless and useless, the same as Jonah was - the same as I was, screaming silently in a box while the people who loved me decided, together, that three days was a promise not worth keeping.
If there is a horror worse than dying twice, it is this: knowing that the boy who loved me most spent the rest of his life unable to save anyone - not because he didn't try, but because love without power is only grief with somewhere to stand.
That is the whole of my story. Not a curse. Not magic. Only patience, and money, and the particular silence of a village that decided, long before I opened my eyes in that box, exactly which version of events it was going to believe.
Or so I let you believe.
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End of Chapter Three:
A.N. - I know, I know... your heart is probably shattered right now. But trust me, nothing in this story is what it seems. Stay with me. 🥀
...ΩΩΩΩΩΩΩΩΩΩΩΩΩΩΩΩ...
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